It’s no wonder that Chavela Vargas has long been Pedro Almodovar’s muse.  According to Wikipedia, “in her youth she dressed as a man, smoked cigars, drank heavily, and carried a gun”.  She could have been one of the characters in his films.  Actually she was.  She’s starred in his film The Flower of My Secret as well as other films.

She is most famous for her rancheras, a famous Mexican song form that goes all the way back to the Mexican Revolution.  For Chavela, rancheras were a means to express her being a woman and a gay woman in Mexico for decades. She recorded her first album in 1961.  Since then, she’s recorded 80+ more.  Her Carnegie Hall debut was in 2003, when she was 83.

Vargas will celebrate her 92^nd birthday on April 17^th.  She came out of the closet, announcing her lesbianism, when she was 80.  Recently her music was covered brilliantly by Spanish singer Concha Buika, with Cuban pianist Chucho Valdes.  Buika is publicly bisexual, and was introduced to Chavela by her mother in her teens.  Her recorded tribute to Chavela on her most recent album El Ultimo Trago, reflects her connectioin with Chavela: As an existentialist, an outsider:  Buika is bisexual,  an African woman in Spain:  her parents emigrated from Equatorial Guinea, which was a Spanish colony before independence.  Being a gay woman in 1930s Mexico was not easy.  Nor was it easy to be one of the very few black women in Spain.

Chavela Vargas is iconic, larger than life, as much an expression of Mexican culture as Frida Kahlo.  And yet recognition outside of Mexico has eluded her.  I hope she becomes even better known, especially outside of Mexico and the Mexican-American community here.  She certainly has earned it.